HardSync Temp

Data Table Templates

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Reference Tables for GE Real-Time Parameters (GE RTP)

Note Series Group

Note Series: Note Type

0: Regular	4: Whole Tone	8: Tritones
1: Scalic	5: Diminished	9: Fifths
2: Scalic 2	6: Augmented
3: Chromatic	7: Fourths

Note Series: Input Sort

0: Up	2: Actual
1: Down	3: Random

Note Series: Symmetry

0: Off

1: On

Note Series: Chord Shift

0: Off

1: Scalic

2: Scalic 2

Note Series: Voicing

0: Closed	3: Open2A	6: Open3B
1: Open1A	4: Open2B	7: Open4A
2: Open1B	5: Open3A	8: Open4B

Notes Series: Filter Dupes

0: Off

1: Adjacent

2: All

Note Series: Filter Fixed

0: Off

1: On

Phase Group

Phase: Start Mode

0: T-only when Triggered	2: 2-when entering Phase2
1: 1-when entering Phase1	3: A-when entering any Phase

Phase: Length Mode

0: AC-Actual

1: TS-Time Sig

2: EV-Events

Phase: Cycle Mode

0: S-replace with silence
1: F-fill with top/bottom note
2: R-restart at other end of Phase
3: W-wrap at either end of Phase
4: B-cycle back from beginning of Phase
5: E-cycle back from end of Phase
6: BE-cycle back from beginning & end of Phase

Phase: Direction

0: Forward

1: Backward

Phase: Octave Phs. Transpose

–36 to –31 =	-36 (-3 Octaves)
-30 to -19 =	-24 (-2 Octaves)
-18 to -7 =	-12 (-1 Octave)
-6 to +5 =	0 (no transpose)
+6 to +17 =	+12 (+1 Octave)
+18 to +29 =	+24 (+2 Octaves)
+30 to +36=	+36 (+3 Octaves)

Phase: Oct/5th Phs. Transpose

–36 to –33 =	-36 (-3 Octaves)
–32 to –27 =	-29 (-3 Octaves +5th)
–26 to –21 =	-24 (-2 Octaves)
-20 to -15 =	-17 (-2 Octaves +5th)
-14 to -9 =	-12 (-1 Octave)
-8 to -3 =	-5 (-1 Octave +5th)
-2 to +3 =	0 (no transpose)
+4 to +9 =	+7 (+5th)
+10 to +15 =	+12 (+1 Octave)
+16 to +21 =	+19 (+1 Octave +5th)
+22 to +27 =	+24 (+2 Octaves)
+28 to +33 =	+31 (+2 Octaves +5th)
+34 to +36 =	+36 (+3 Octaves)

Phase: Step Transpose On/Off

0: Off

1: On

Phase: Tsig Denominator

0: 16

1: 12

2: 8

3: 6

4: 4

Phase: End Loop On/Off

0: Off

1: On

Phase: Pattern Step 1…16

0: Phase 1

1: Phase 2

Phase: Template (All Steps)

0: 1-1-1-1	4: 1-1-1-2	8: 1-1-2-2	12: 1-2-2-2
1: 2-2-2-2	5: 1-1-2-1	9: 1-2-2-1	13: 2-2-2-1
2: 1-2-1-2	6: 1-2-1-1	10: 2-2-1-1	14: 2-2-1-2
3: 2-1-2-1	7: 2-1-1-1	11: 2-1-1-2	15: 2-1-2-2

Rhythm Group

Rhythm: Swing Note Value

0: 32nd note	2: 8th note
1: 16th note	3: Quarter note

Rhythm: Swing %

0…100: 0…+100%

101: 200%

102: -200%

Rhythm: Swing Use Multiplier

0: Off	2: P1-Phase1
1: Ind-Independently	3: P2-Phase2

Rhythm: Pools-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

Rhythm: Ties-Weighting Curve

0: Exponential

1: Logarithmic

Rhythm: Straight Multipliers

0: 25%	2: 100%	4: 400%
1: 50%	3: 200%	5: 800%

Rhythm: Straight Trip/Mults

0: 25%	4: 100%	8: 400%
1: 34%	5: 136%	9: 544%
2: 50%	6: 200%	10: 800%
3: 68%	7: 272%

Rhythm: Strt/Dot/Trip Mults

0: 25%	4: 68%	8: 150%	12: 400%
1: 34	5: 75%	9: 200%	13: 544%
2: 37%	6: 100%	10: 272%	14: 600%
3: 50%	7: 136%	11: 300%	15: 800%

Duration Group

Duration: Duration Mode

0: Poly Extend	4: Rhythm Overlap
1: Poly Extend/Damped	5: Rhythm %
2: Mono Extend	6: Pattern Overlap
3: Timed	7: Pattern %

Duration: Use Rhythm Multiplier

0: Off

1: On

Duration: Pools-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

Duration: Ties-Weighting Curve

0: Exponential

1: Logarithmic

Index Group

Index: Index Mode

0: Pattern

1: Random

2: Random Walk

Index: Pools-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

Index: Cluster Mode

0: Single

1: Multi

Index: Invert

0: Off

1: On

Index: Double

0: Off

1: On

Index: Double Amount

0: Auto

1…12: Index

Cluster Group

Cluster: Pools-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

Velocity Group

Velocity: Velocity Mode

0: Actual

1: Average

2: Constant

Velocity: Pools-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

Velocity: Cluster Mode

0: Single - 1 Step per Cluster
1: Multi - 1 Step for Each Note in Cluster

CCs/Pitch Group

CCs: Fixed On

0…127: fixed CC value

128: Pattern

CCs: Pattern Type

0: Pattern	3: Index to 32…96
1: Index to 0…127	4: Index to 0…64
2: Index to 24…108	5: Index to 64…127

CCs: Polarity

0: Regular (+)

1: Inverted (-)

CCs: Pools-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

CCs: Pitches-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

CCs: Octaves-Weighting Curve

0: Exponential	2: Exp-S
1: Logarithmic	3: Log-S

WaveSeq Group

Envelope Group

Repeat (Melodic Repeat Group)

Melodic Repeat Rhythms Reference

Repeat: Rhythm

0: None (Instant)	9: 16th Dotted	18: Half Dotted
1: 64th Triplet	10: 8th Triplet	19: Whole Triplet
2: 64th	11: 8th	20: Whole
3: 64th Dotted	12: 8th Dotted	21: Whole Dotted
4: 32nd Triplet	13: Quarter Triplet	22: 2 bars
5: 32nd	14: Quarter	23: 3 bars
6: 32nd Dotted	15: Quarter Dotted	24: 4 bars
7: 16th Triplet	16: Half Triplet	25: Pattern
8: 16th	17: Half

Repeat: Straight Rhythm

0: None (Instant)	4: 8th	8: 2 Wholes
1: 64th	5: Quarter	9: 3 Wholes
2: 32nd	6: Half	10: 4 Wholes
3: 16th	7: Whole	11: Rhythm Pattern

Repeat: Dotted Rhythm

0: None (Instant)	3: 16th Dotted	6: Half Dotted
1: 64th Dotted	4: 8th Dotted	7: Whole Dotted
2: 32nd Dotted	5: Quarter Dotted	8: Rhythm Pattern

Repeat: Triplet Rhythm

0: None (Instant)	3: 16th Triplet	6: Half Triplet
1: 64th Triplet	4: 8th Triplet	7: Whole Triplet
2: 32nd Triplet	5: Quarter Triplet	8: Rhythm Pattern

Repeat: Selected Rhythms

0: None (Instant)	5: 8th Dotted	10: 2 Wholes
1: 64th	6: Quarter	11: 3 Wholes
2: 32nd	7: Quarter Dotted	12: 4 Wholes
3: 16th	8: Half	13: Rhythm Pattern
4: 8th	9: Whole

Repeat: Selected Rhythms 2

0: None (Instant)	7: 16th	14: Whole
1: 64th Triplet	8: 8th Triplet	15: 2 Wholes
2: 64th	9: 8th	16: 3 Wholes
3: 64th Dotted	10: 8th Dotted	17: 4 Wholes
4: 32nd Triplet	11: Quarter	18: Pattern
5: 32nd	12: Quarter Dotted
6: 16th Triplet	13: Half

Bend Group

Bend Length Reference

Bend: Length

0: 64th Triplet	9: 8th Triplet	18: Whole Triplet
1: 64th	10: 8th	19: Whole
2: 64th Dotted	11: 8th Dotted	20: Whole Dotted
3: 32nd Triplet	12: Quarter Triplet	21: 2 bars
4: 32nd	13: Quarter	22: 3 bars
5: 32nd Dotted	14: Quarter Dotted	23: 4 bars
6: 16th Triplet	15: Half Triplet	24: Fixed-ms
7: 16th	16: Half	25: Note Duration
8: 16th Dotted	17: Half Dotted

Bend Amount Reference

Bend: Amount

0: Random	15: Next Note +2
-12…12 (-/+12 semitones)	16: Prev Note
13: Next Note	17: Prev Note -1
14: Next Note +1	18: Prev Note -2

Drum Group

Rhythm & Drum Multipliers Reference

Straight Multipliers

0: 25%	2: 100%	4: 400%
1: 50%	3: 200%	5: 800%

Straight Trip/Mults

0: 25%	4: 100%	8: 400%
1: 34%	5: 136%	9: 544%
2: 50%	6: 200%	10: 800%
3: 68%	7: 272%

Strt/Dot/Trip Mults

0: 25%	4: 68%	8: 150%	12: 400%
1: 34	5: 75%	9: 200%	13: 544%
2: 37%	6: 100%	10: 272%	14: 600%
3: 50%	7: 136%	11: 300%	15: 800%

Repeat On/Off Combs (Combinations) Ref

Drum: Repeat On/Off Combs

KARMA Value	Pattern 1	Pattern 2	Pattern 3
0	Off	Off	Off
1	On	Off	Off
2	Off	On	Off
3	Off	Off	On
4	On	On	Off
5	Off	On	On
6	On	Off	On
7	On	On	On
8	As Stored	As Stored	As Stored

Direct Index Group

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Below this point are some incomplete tutorials I'm working on…
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Tutorials:

Auto-sustain chords using a Gated GE

Technique M3:

1. Select Program
2. Press the Page Select button and then go to 7-1-1 KARMA GE Setup.
3. Touch the GE Category Select Button, select to the Gated tab, and choose GE 1276 Dr Chopper 2.
4. Turn on KARMA and the LATCH switch and play a chord or pad. You will hear the gated effect. Turn off KARMA for now.
5. Now press the Page Select button and go to P-7-2 GE RTP (GE Real-Time Parameters).
6. On the screen, touch the 25-32 button near the top and locate parameter number 26: GE GATE CC Number
7. Turn of the CC gate effect by setting the value to -1.
8. Turn on KARMA (with Latch on) and play a chord. You should hear the chord sustaining indefinitely. Play another chord and the old chord stops and the new chord sustains.
9. (Optional) Assign parameter 26 to a switch, another controller via DynMIDI, or to a KARMA scene change via a Perf RTP in order to switch between a gated effect and the auto-sustain effect. The Min value is -1; the Max value is 11.
10. (Optional) Assign the Quantize Triggers the same switch above as a Perf RTP, so that there is no delay when playing auto-sustained chords, but the gated effect will be quantized and sync to the MIDI clock. In the Trigger group, select Quantize Triggers. Set the Min value to 0000 = Off; set the Max value to 0001 = On.
11. (Optional) Turn off the KARMA envelopes using parameter 22 Env: On/Off [2], or assign this to a switch or controller if desired.